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Then he turns to Mona. "What a darling you are!" says Rodney, in a low tone; and then something else follows, that, had she seen it, would have caused the weatherbeaten old person at the fire another thrill of tender recollection. "Besides, I do not understand what you mean," says Geoffrey, still regarding his mother with angry eyes "Why connect Mona's absence with Paul Rodney?".

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For some time they talked together and the old man told Kŭt-o-yĭs´ how his son-in-law had abused him. He said to the young man, "He has taken from me my bow and my arrows and has taken even my dogs; and now for many days we have had nothing to eat, except sometimes a small piece of meat that our daughter throws to us." She is distraite and silent all the morning, taking small notice of what goes on around her. Geoffrey, perplexed too, in spirit, wanders vaguely from pillar to post, unable to settle to anything,—bound by Mona to betray no hint of what happened in the library some hours ago, yet dying to reveal the secret of the panel-cupboard to somebody. "I wish you had never gone to Ireland!" says Lady Rodney, deeply depressed. "My heart misgave me when you went, though I never anticipated such a climax to my fears. What possessed you to fall in love with her?" "And did you think I was content to let him die" says Mona, reproachfully. "No! There is a chance for him still, and I will explain it to you. It is early yet. He seldom passes here before eleven, and it is but a little after ten. I know the hour he usually returns, because he always goes by our gate, and often I bid him good-night in the summer-time. Come with me," excitedly. "I can lead you by a cross-path to the Ballavacky road, by which he must come, and, if we overtake him before he reaches that spot, we can save his life. Come; do not delay!".